Tag Archives: Jajce

Chairs

Original text translated by Slavica Nuić. Pročitaj na hrvatskom.

Having moved to a new flat, it was time to get down to the business of gathering up old furniture, refurbishing it and giving it a fresh coat of paint. My first concern, by all means, were the chairs so that my jolly guests could have something to sit on. Luckily, old chairs, at least the plain wooden ones, were not hard to find, but finding one which was not wobbly was an entirely different matter. Be that as it may, working out a remedy for rickety chairs was put off for the time being. The turning point was a sign that caught my eye at some young designers’ exhibition. It said “The chairs are for display purposes only. Please do not sit on them as they may collapse.” Realizing that a similar sign would come in handy on my dining room wall, we fixed the loose joints to prevent things from going awry.

This whole matter of my rough-and-ready job of fixing chairs had only added to my surprise upon visiting The Museum of Second AVNOJ Session in Jajce. The central hall used to be the place where Yugoslavia drew its first breath. Several rows of dilapidated chairs of all sorts (which once accommodated Yugoslavia’s founding fathers), harked back to the early days of my flat redecoration. Nonetheless, they still had their allure as the light pouring from the back door created shadows that made the chairs look as if dissolved and entangled in an intricate web, creating thus a peculiar scene of the pivotal historic event.

Unfortunately, historical facts are not my strong suit, so I asked the ones known as historically savvy to help me out. At the first mention of these chairs, Luka, the historian, pointed out that it was not without reason that these chairs were so shabby as there was a backstory to it. In his words, many historians have concurred that Jajce had witnessed the complete affirmation of the cult of personality that had been created around Tito. Judging by the original photographs, both the presiding and the delegates were seated on plain wooden chairs while Tito was comfortable in his armchair. Moreover, a couple of days prior to the meeting, Tito had posed for his bust by Antun Augustinčić, which was soon displayed in the meeting room.

For me, my deep fascination with the chairs, deprived of any ideological overtone, in this way made the emptiness of the room even more striking; the room where, as Luka has taught me, once Yugoslavia had been formed and Tito had become its marshal, resolutions had been sustained by general acclamation.

In the process of sketching out the chairs, the first step was capturing the curious rhythm and interplay of shadows through a rhythmical interchange of black and white surfaces.

The process of carving…

And a bit more of carving…

The test print was printed in black, but there was no intent to keep it that way…

This linocut was supposed to be in colour. Since there were some areas of diluted Indian ink on the sketch as well, I first started with tone combinations.

The next step was increasing the number of potential colour combinations, so I detached the top part of the block with a gauge to make the process of applying colour easier.

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A new variation…

The first step in the process of making this variation was printing the background in yellow, and the next steps were applying the ink separately on every part of the key block.

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And the last variation, which was printed in the same way, combines the positive with negative. Just like my chairs mixed with their shadows.

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Filed under art in process, English, linocut, printmaking

Stolci

Read this in English.

Nakon useljenja u novi stan, valjalo je prionuti sakupljanju, preuređivanju i bojenju starog namještaja. Prioritet su, svakako, bili stolci, kako bi veseli gosti imali na čemu sjediti. Srećom, starih se stolaca moglo lako nabaviti, barem onih drvenih, najjednostavnijih. Problem je, međutim, često bio u njihovoj nestabilnosti, čije se rješavanje netom odgađano za kasnije. Vrhunac je bio natpis na koji sam naišla na jednoj izložbi mladih dizajnera: Stolci su samo izložbeni primjerci, molim da na njih ne sjedate kako ne bi došlo do pucanja. Zaključivši kako bi ovakav natpis sasvim dobro pristajao pričvršćen na zid u mojoj blagovaoni, jednom smo ih dobro zategnuli kako ne bi došlo do nezgodnih situacija.

Cijela situacija oko mojih priručno sklepanih stolaca pridonijela je mom iznenađenju pri posjetu Muzeju II zasjedanja AVNOJ-a u Jajcu. Središnja dvorana, naime, nekoć je doista bila mjesto stvaranja Jugoslavije. Nekoliko redova raznoraznih drvenih stolaca u prilično jadnom stanju (na kojima su ljudi, koji su je stvarali, sjedili), sličili su mi na početke uređenja mog stana. Redovi stolaca su svejedno izgledali fascinantno, pogotovo jer je pozadinsko svjetlo ulaznih vrata stvaralo sjene koje kao da su te stolce razgrađivale i umrežavale, čineći ih čudnom scenografijom važnog događaja iz prošlosti.

Poznavanje povijesnih činjenica, nažalost, nije nešto po čemu sam poznata, pa sam se raspitala kod mjerodavnijih. Luka me, povjesničar, pri prvom spomenu na dotične stolce, odmah znalački uputio kako to uopće nije bezveze da su ti stolci bili tako jadni, jer iza toga ima pozadinska priča. Kaže on, mnogi se povjesničari slažu – u Jajcu je došlo do potpune afirmacije Titova kulta ličnosti. Sudeći po izvornim fotografijama i predsjedavajući i delegati su sjedili na običnim drvenim stolcima, dok je Tito sjedio u fotelji. Uz to, veli on, nekoliko je tjedana prije početka zasjedanja Tito pozirao Antunu Augustinčiću, koji tad izrađuje njegovu bistu, ubrzo nakon toga izloženu u prostoriji zasjedanja.

Meni je moja fascinacija stolcima, lišena svakog ideološkog prizvuka, time još više naglasila sadašnju prazninu prostora u kojemu su se nekad, kako me uputio Luka, u času stvaranja Jugoslavije i proglašenja Josipa Broza Tita njenim maršalom, donosile odluke općom aklamacijom.

Skicirajući stolce, čudan ritam i igru sjena najprije sam nacrtala kao ritmično izmjenjivanje crnih ploha i praznina.

Proces dubljenja…

 

I još malo procesa dubljenja…

Probni je otisak bio u crnoj, ali nije bilo u planu da tako i ostane . Ovaj sam linorez htjela otisnuti u boji. Budući da je na skici bilo i laviranog tuša, najprije sam krenula u kombinacije sa tonovima.

Nakon toga sam si htjela povećati broj mogućih kombinacija, pa sam nožićem odvojila gornji dio ploče- kako bi mi bilo lakše nanositi boju.

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Nova varijacija…

Ovu sam varijantu otisnula tako da sam prvo stavila pozadinsku boju, žutu, a zatim sam na svaki dio odrezane ploče zasebno nanijela boju.

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I zadnja varijanta, otisnuta na isti način, miješa pozitiv s negativom. Jednako kao i moje stolce sa sjenama.

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Filed under art in process, grafika, linorezi